In the first movement's exposition, the transitional passage between the first and second subjects consists of arpeggiated figuration beginning in A-flat major and modulating to the dominant key of E-flat major. īeethoven also used F-flat major in his Piano Sonata No. Part of Richard Strauss' Metamorphosen uses F-flat major, which one commentator has called "a bitter enharmonic parody" of the earlier manifestations of E major in the piece. Because of that, it is usually enharmonic to E major with 4 sharps.Īlthough F-flat major is usually notated as its enharmonic equivalent of E major, because E major has four sharps only as opposed to F-flat major's eight flats (including the B ), F-flat major appears as a secondary key area in several works in flat keys. Its relative minor is D-flat minor, usually replaced by C-sharp minor (see reason below) and its parallel minor is F-flat minor, usually replaced by E minor, since F-flat minor's four double-flats make it generally impractical to use.
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